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As a Web designer, you easily spend at least as much time adjusting your text as you do getting it into your Web pages. Luckily, Dreamweaver puts most of the tools you need for this task right at your fingertips. Many of the text-formatting options are available through the Text Property inspector or the Tag inspector, whether you re styling your text in CSS or HTML <font> tags. On the Web today, designers have largely moved to using Cascading Style Sheets and away from hardcoding text with <font> and other tags. Both 4.0+ versions of the major Web browsers support Cascading Style Sheets to some extent, and Internet Explorer has had some support since version 3.0. Text formatting enjoys the most widespread browser support of all the CSS rules. Although CSS is now the preferred method of styling text as well as the rest of the page you may still encounter <font> tags in legacy pages. Dreamweaver allows you to work in both styles: To switch from the default CSS style properties, choose Edit Preferences (Dreamweaver Preferences) and, from the General category, deselect the Use CSS Instead Of HTML Tags option. The following section discusses working in both modes.

FIGURE 8-1: A grayscale mask (left) contrasted to a vector mask (right).

Description These buttons let you scroll the sheet tabs to display tabs that aren t visible. This bar displays various messages as well as the status of the Num Lock, Caps Lock, and Scroll Lock keys on your keyboard. It also shows summary information about the range of cells that is selected. Right-click the status bar to change the information that s displayed Commands that display a different ribbon, similar to a menu. All Windows programs have a title bar, which displays the name of the program and the name of the current workbook and also holds some control buttons that you can use to modify the window. Lets you scroll the sheet vertically. A scroller that lets you zoom your worksheet in and out.

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Importing and sampling colors................................................................................226 Importing swatches .......................................................................................226 Importing colors from graphics .....................................................................226 Sampling colors .............................................................................................227 Working with Gradients ...................................................................................................228 Creating gradients ...................................................................................................229 Creating unnamed gradients ...................................................................................231 Adjusting gradient angle and location .....................................................................232 Managing Swatches ...........................................................................................................233 Editing swatches .....................................................................................................233 Merging swatches ....................................................................................................233 Deleting swatches ....................................................................................................234 Duplicating swatches...............................................................................................234 Applying Colors, Tints, and Gradients ..............................................................................234 Summary ..........................................................................................................................236

Before motion can be initiated in a suspension, the yield stress must be overcome. Due to oc formation, the suspension rst yields in low-strength regions between ocs. Thus, ow occurs before oc disruption. Suspension yield stress increases dramatically with concentration. At low mass concentrations (Cm < 0.04), where the gas content is negligible, the yield stress has been given traditionally by expressions of the form y = aCb (20-15) m where y is the suspension yield stress, Cm the mass concentration, and a and b are parameters that depend on pulp type and processing history. Kerekes et al. (1985) found that the exponent, b, varied from 1.69 to 3.02. A more general correlation encompassing a wider range of pulps can be made using the volume concentration, Cv : y = aCb (20-16) v which also accounts for the presence of gas within the suspension. Bennington et al. (1995) correlated an extensive set of experimental data to arrive at y = 7.7 105 C3.2 (1 g )3.4 A0.6 m (20-17)

switch among several different field order views, when you next choose the custom order view, all the manual modifications you made to the field order are restored.

17 A colleague working in the area of pollutant dispersion notes an important weakness of the timeaveraged approach: If the maximum concentration is a critical parameter, the average concentration is not a useful result. Take, for example, the dispersion of H2 S: If the local instantaneous concentration exceeds a toxic limit, people on the ground will die. Alive on the average is not a useful result, even if the average is very accurately determined! The necessary details of the distribution of concentrations can be extracted from statistical or PDF models which account for the time-varying characteristics of the concentration uctuations.

Flash is a hybrid program that has combined many of the most powerful features of various other types of programs, and then mixed them with some unique capabilities. Flash is recognized as one of the most robust and capable programs available for the creation of content for the Web. Flash is not limited to the Web. In fact, Flash is the software of choice in numerous other niches. With Flash 5, ActionScripting has risen to a new level of robust capability, modeled on JavaScript. Now that we ve given you a taste of the capabilities and distinctions of the Flash Authoring Environment, and shown you how some of the larger pieces fit together; it s time for you to look at some of the particulars.

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